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Photographers – made in Hungary.
Some went away / some stayed behind
 
 
Kincses Károly:
Fotográfusok – made in Hungary. Akik elmentek / akik maradtak
Fotografi Made in Hungary. Quelli che somo andati via, quelli che somo rimasti
Photographers Made in Hungary

joint publication of the Hungarian Museum of Photography as well of Federico Motta Editore and of Actes Sud, 1998, 319 pages, with 250 photographs in Hungarian, in French and in Italian, HUF 12.000
 
Károly Kincses: Made in Hungary. Fotograficy Wegierscy
Miedzynarodowe Centrum Kultury (Kraków), 2000, catalogue to the Krakow venue, 205 pages, with 125 photographs, in Polish, HUF 3.000
 
Károly Kincses: Photographers Made in Hungary. Some went away/Some stayed behind
catalogue to the New York venue, 2000, 20 pages, with 20 photographs, in English (sold-out)
 
Károly Kincses: Photographen Made in Hungary. Die Gegangen sind und die blieben…
catalogue to the Berlin venue, 2001, 22 pages, with 20 photos, in German (sold-out)
 
Károly Kincses: Fotógrafos Made in Hungary. Los que se fueron/Los que se quedaron
joint publication of the Caja San Fernando as well of Fundación ICO, 2002, 350 pages, with, 210 photographs, in Spanish-English, HUF 12.000
The most successful among the projects of the Hungarian Museum of Photography, in which we present the Hungarian art-photography of the 20th century through 250 original prints, taken by artists, who have emigrated and acquired fame abroad, as well as by Hungarian photographers, who are yet relatively unknown around the world.
The exhibition took place in 13 different countries in the past five years, the catalogue was published in Hungarian, Italian, French, German, Spanish, Turkish, Polish, Czech, and in Dutch language.
Exhibition Calendar 1998–2003

Hungarian Museum of Photography
Kecskemét
24 April – 7 June 1998

Espace van Gogh
29. Rencontres de la Photographie, Arles
5 July – 23 August, 1998

Hradzin
Prague
18 November, 1998 – 3 January, 1999

Mai Manó House, Center of Hungarian Photography
Budapest
18 March – 5 April, 1999

Collegium Hungaricum
Vienna
26 May – 23 June, 1999

Padiglione d’Arte Contemporanea
Mailand
1 July – 26 September, 1999

Museum voor Fotografie
Antwerpen
In the frame of “Europalia ’99”
9 October, 1999 – 9 January, 2000

Pamukbank Photography Gallery
Istanbul
25 January – 26 February, 2000

General consulate of Hungarian Republic
New York
2000. március 13–24.

International Cultural Centre
Krakow
In the frame of “Krakow 2000
28 April – 31 May, 2000

Open Eye Gallery
Liverpool
5 August – 9 September, 2000

Ministry of Foreign Affaires
Berlin
30 May – 3 July, 2001

Musée de Montparnasse
Párizs
In the frame of “Hungarian cultural saison in France”
12 September – 28 October, 2001

Gemeentemuseum
Helmond
30 March – 16 June, 2002

Caja San Fernando
Sevilla
October 10 – November 17, 2002

Caja San Fernando
Jerez de la Frontera
November 26, 2002 – January 12, 2003

Fundación ICO
Madrid
January 23 – March 9, 2003

Between the two world wars Hungarian photography has bred a whole line of talented photographers, some of these left the Country and became world famous, like André Kertész, Brassai, Moholy-Nagy, Robert Capa, György Kepes ... Other stayed at home, and while they produced pictures of similar quality as their world-famous colleagues, their talent was no different from those who left, but the history of Hungary (Central Europe) condemned them to isolation, their talent could only be expressed within a very narrow circle. The volume places beside those famous photographers of world renown, the selection the works of those who stayed in Hungary (Pécsi József, Angelo, Balogh Rudolf, Escher Károly, Kálmán Kata, etc.), taking care to illustrate how the artists, the works and the tendencies inherent in them complement each other. The story is completed by the historical–photo historical essay by Kincses Károly and the biographies of the photographers.
 
 
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