In this volume we can read about one of the most many-sided, most talented Hungarian photographers of the 20th century, whose complete life-work has been out of reach, unprocessed until now. The present volume undertakes to depict his career for the first time, partly in the form of a study, and partly through presented images. Most of the large-format, painting-style, bromoil prints from the beginning of Angelo’s career, taken from the 1910’s onward, are stored in the Museum of Hungarian Photography. His later photographs, taken in the 1930’s transmit a suggestive atmosphere with the help of distorted, softened lenses, and by laboratorial intervention. Later he followed the more objective tendencies of modern photography, hereby taking a significant roll in the formation of the new expression in photography. In his elder years he pictures surrealist visions, micro-worlds unfolding from the bizarre tracery of materials, thereby breaking with his own stylistic characteristics, giving birth to an entirely new artistic period. Besides his artistic career, the book reviews his 60-year-long studio-portrait workmanship, throughout which he took photographs of around half-a-million people. Additionally, the volume presents his works as a fashion-photographer and as cameraman. The study is complemented with a list of Angelo’s known exposures, exhibition participations and a detailed bibliography.